AËLÍN
sound | story | structure
YOUR VISION
MADE
AUDIBLE
Bespoke Music & Sonic World-Building
ABOUT
AËLÍN is the multidisciplinary practice of artist, composer and producer Eli Tyler. Working at the intersection of sound, story and structure, the heart of their practice is sonic world-building: translating a visual or conceptual vision into a distinct musical language.
Rather than beginning with genre, AËLÍN begins with the world—its atmosphere, movement, symbolism, tension and emotional architecture. Songs, scores, sound design and immersive elements are then shaped around what that world needs to become.
The world dictates the sound
Moving fluidly between screen, stage, spaces and live experiences, AËLÍN creates music that carries an unmistakable artistic identity while feeling inseparable from the vision it serves.
Selected collaborations include Vera Wang, Victoria’s Secret, the Royal Ontario Museum and the New York Botanical Garden.
MINI CATALOG
SAMPLER
Full Catalog Access, Curated Selections & Licensing available upon request
PRODUCTION
AËLÍN creates bespoke music across original songs, instrumental cues, scoring, sound design and immersive performance. Their genre-fluid approach moves between cinematic tension, melodic storytelling, experimental texture and the meeting point of digital pulse and analog soul.
Every production is shaped by its emotional function: how the music should move, where its energy should turn, and what the audience should feel as they enter the story or space.
Projects can be developed from initial concept through final production, with stems, instrumentals, alternate edits and custom versions available for film, television, advertising, games, fashion, exhibitions and live experiences.
From First Signal to Final Stem
LIVE WORLDS
ESSAYS | ARTICLES | PAPERS
A textual constellation that explores how perception, identity, technology, and sound shape—and are shaped by—structure. Through a lens that bridges poetics and analysis, each piece operates like a movement in a score: tonal, layered, and composed to trace frequency as it moves through form—designed to interrogate the unseen lattice that structures experience. Writing here is but another form sound takes: frequency rendered into signal, text as field.
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